![]() In 1999, QD3 launched a Film and TV production company (QD3 Entertainment) focused on chronicling the many dimensions of youth/urban culture. Other television work work includes themes and for In The House comedy series starring LL Cool J Grown Ups starring Jaleel “Erkel White”, and Eddie Murphys animated Fox Series The P.Js for which QD3 received an Emmy nomination for best opening theme. ASACP honored QD3 with the 1993 ASCAP Composers award for his work on The Fresh Prince of Bel-Air starring Will Smith. Having scored the influential film Menace to Society as songs featured in Training Day and Office Space. QD3 has also been active in film and television composing. Cool J: QD# has remixed singles for artists such as Prince, Robyn, Queen, Lionel Richie, Ronald Isley, Queen Latifah, Coolio, Naughty by Nature, Everlast, Morcheeba among others. In addition to his many hits with artists such as Tupac, Ice Cube and LL. With many gold, platinum, and multi-platinum albums and single to his name (over 40 million albums sold), QD3 is a bona fide hit maker in RAP, R&B, and Pop. He began producing with a talent group that would include Ice Cube, Tupac, Warren G, Snoop Dogg and many others who would go onto create “West Coast Hip Hop” and change the culture around the world. After Berklee QD3 moved to Los Angeles where he immediately connected with Dr. Kool Moe Dee), QD3 deiced to attend the noted Berklee College of Music in Boston to study engineering and music theory. After a year and half in New York working with old school legends T LA Rock (1st artist signed to Def Jam records) and Special K (pof the group Treacherous 3 ft. QD3 then moved to New York to pursue his dream to become a music producer in America. ![]() Through his passion for technology and music he got his first drum machine and began producing demos for local acts which eventually led to his first gold record at 16 years old. Like his protégé, Michael Jackson, who went from the rocking "Billie Jean" to the messianic "Man in the Mirror" in the same period, Jones seems to have begun believing his press clippings, and his work suffered accordingly.QD3 was born in London and raised in both Los Angeles and Stockholm Sweden, where he got his start in entertainment touring as a break dancer. By the late '80s, however, there are a lot of big, bland ballads that showcase superstar vocalists ( Ray Charles, Barry White, etc.) and sound self-important. ![]() The '70s stuff, which holds up surprisingly well, is tasty R&B, much of it groove-oriented, up-tempo music. The chronological sequencing allows an appreciation of how Jones' approach changed over the years. To get more songs in, the singles edits have been used in many cases. Jones himself participated in the selection, which does not strictly follow chart rankings, since a couple of R&B Top 20 hits ("I Don't Go for That" and "Slow Jams") are missing, while a few non-chart items are included. That has tended to make the assembly of a comprehensive best-of difficult, but Universal's Hip-O reissue division specializes in licensing material from other labels to construct its Ultimate Collection releases, and this one borrows seven out of 18 tracks from Qwest to add to Jones' A&M hits, making it the definitive one-disc compilation of Jones' pop/R&B recordings of 1974-1999. Meanwhile, he switched record labels, leaving A&M for his own Warner-distributed Qwest in the early '80s. The first of them was Body Heat, which went gold, and Jones followed with a series of records including 1981's million-selling The Dude and the 1990 Album of the Year Grammy-winner Back on the Block. In 1974, Quincy Jones, who already had a wide range of musical credits behind him, opted to enter the R&B mainstream by hiring vocalists and overseeing recordings in a commercial vein released under his name.
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